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International Business Law And The Legal Environment

RRP $363.99

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International Business Law and the Legal Environment provides business students with a strong understanding of the legal principles that govern doing business internationally. Not merely about compliance, this book emphasizes how to use the law to create value and competitive advantage.

DiMatteo's transactional approach walks students through key business transactions - from import and export, contracts, and finance to countertrade, dispute resolution, licensing, and more - giving them both context and demonstrating real world application. This new edition also includes:

  • New material on comparative contract and sales law & European private law; joint ventures and collaborative alliances

  • A new part on foreign direct investment that includes a chapter on emerging markets

  • New chapters on privacy law, and on environmental concerns

  • Greater coverage of the World Trade Organization

The book includes valuable learning tools such as summary "case highlights" and court opinions that feature edited court transcripts so that students are exposed to the court's actual legal reasoning, and are able to grasp and retain an understanding of the underlying legal principles. These court decisions are also drawn from a broad range of countries, offering a truly international look at the subject.


The Improvisation Of Musical Dialogue

RRP $28.55

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This book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform.



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